Golden Stars, and Other Verses Following "The Red Flower" — Story, Setting & Ideas
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The Valley of Vision Fighting for Peace The Unknown Quantity The Ruling Passion The Blue Flower
Out-of-Doors in the Holy Land Days Off Little Rivers Fisherman's Luck
Poems, Collection in one volume
Golden Stars The Red Flower The Grand Canyon, and Other Poems The White Bees, and Other Poems The Builders, and Other Poems Music, and Other Poems The Toiling of Felix, and Other Poems The House of Rimmon
CHARLES SCRIBNER'S SONS
And Other Verses Following "The Red Flower"
New York Charles Scribner's Sons 1919 Copyright, 1918, 1919, by Charles Scribner's Sons Published February, 1919 Copyright, 1918, By the Outlook Company Copyright, 1918, By the New York Herald Co. Copyright, 1917, By New York Times Co. Copyright, 1918, By New York Tribune, Inc. Copyright, 1917, By Land & Water Pub. Co. Copyright, 1918, By the Public Ledger Copyright, 1918, By the Press Publishing Co.
The only reason for printing this little book is that many people have expressed a desire to have the memorial poem, "Golden Stars," in a permanent form.
The other verses are included simply because they are a wayside record of some of the varied feelings of an old lover of peace who was willing to fight for it,--feelings which may find a response in other American hearts.
Henry van Dyke. Avalon, January 6, 1919.
PAGE The Peaceful Warrior 3 The Winds of War-News 4 Righteous Wrath 5 Facta non Verba 6 From Glory unto Glory 7 Signs of the Zodiac 10 Britain, France, America 13 The Red Cross 14 Easter Road, 1918 15 America's Welcome Home 17 The Surrender of the German Fleet 19 Golden Stars 21
I have no joy in strife, Peace is my great desire; Yet God forbid I lose my life Through fear to face the fire.
A peaceful man must fight For that which peace demands,-- Freedom and faith, honor and right, Defend with heart and hands.
Farewell, my friendly books; Farewell, ye woods and streams; The fate that calls me forward looks To a duty beyond dreams.
Oh, better to be dead With a face turned to the sky, Than live beneath a slavish dread And serve a giant lie.
Stand up, my heart, and strive For the things most dear to thee! Why should we care to be alive Unless the world is free?
THE WINDS OF WAR-NEWS
The winds of war-news change and veer Now westerly and full of cheer, Now easterly, depressing, sour With tidings of the Teutons' power.
But thou, America, whose heart With brave Allies has taken part, Be not a weathercock to change With these wild winds that shift and range.
Be thou a compass ever true, Through sullen clouds or skies of blue, To that great star which rules the night,-- The star of Liberty and Right.
Lover of peace, oh set thy soul, Thy strength, thy wealth, thy conscience whole, To win the peace thine eyes foresee,-- The triumph of Democracy.
There are many kinds of hatred, as many kinds of fire; And some are fierce and fatal with murderous desire; And some are mean and craven, revengeful, sullen, slow, They hurt the man that holds them more than they hurt his foe.
And yet there is a hatred that purifies the heart: The anger of the better against the baser part, Against the false and wicked, against the tyrant's sword, Against the enemies of love, and all that hate the Lord.
O cleansing indignation, O flame of righteous wrath, Give me a soul to feel thee and follow in thy path! Save me from selfish virtue, arm me for fearless fight, And give me strength to carry on, a soldier of the Right!
_Deeds not Words_: I say so too! And yet I find it somehow true, A word may help a man in need, To nobler act and braver deed.
FROM GLORY UNTO GLORY
O dark the night and dim the day When first our flag arose; It fluttered bravely in the fray To meet o'erwhelming foes. Our fathers saw the splendor shine, They dared and suffered all; They won our freedom by the sign-- The holy sign, the radiant sign-- Of the stars that never fall.
All hail to thee, Young Glory! Among the flags of earth We'll ne'er forget the story Of thy heroic birth.
O wild the later storm that shook The pillars of the State, When brother against brother took The final arms of fate. But union lived and peace divine Enfolded brothers all; The flag floats o'er them with the sign-- The loyal sign, the equal sign-- Of the stars that never fall.
All hail to thee, Old Glory! Of thee our heart's desire Foretells a golden story, For thou hast come through fire.
Henry Van Dyke's Golden Stars, and Other Verses Following 'The Red Flower' (1919) is a slim collection of poems that the author himself calls 'a wayside record' of his feelings as an aging pacifist who came to endorse American involvement in World War I. The book's centerpiece is the memorial ode 'Golden Stars,' written for Princeton University's December 1918 service, but the surrounding poems chart a more personal journey: from the reluctant resolve of 'The Peaceful Warrior' (May 1918) to the admonitory compass metaphor of 'The Winds of War-News' and the triumphant 'Surrender of the German Fleet.' Van Dyke's prefatory note frames the work as a response to readers who wanted 'Golden Stars' in permanent form, and the verses collectively document how an 'old lover of peace' reconciled his principles with the call to arms.
A Pacifist's Wartime Voice
The catalog subject 'World War, 1914-1918 -- Poetry' accurately places this book, but the excerpts reveal a more specific stance than the generic label suggests. Van Dyke repeatedly identifies himself as a 'lover of peace' who nonetheless believes he must fight. In 'The Peaceful Warrior' he writes, 'I have no joy in strife, / Peace is my great desire; / Yet God forbid I lose my life / Through fear to face the fire.' The poem 'Righteous Wrath' (not fully excerpted) and the title 'The Peaceful Warrior' itself underscore this tension. The author's note confirms he is 'an old lover of peace who was willing to fight for it'—a personal qualification that shapes every poem. Rather than jingoism, the verses offer a reluctant, principled militarism grounded in the defense of 'Freedom and faith, honor and right.'
Recurring Imagery of Stars and Compasses
Van Dyke builds his memorial and his moral argument around celestial imagery. The title poem 'Golden Stars' addresses fallen soldiers as 'hero-stars of gold,' and the closing ode envisions them as 'guiding stars' for the living. Earlier, 'The Winds of War-News' contrasts a 'weathercock' that shifts with public opinion against a 'compass ever true' fixed on 'that great star which rules the night,— / The star of Liberty and Right.' This consistent metaphor—stars as fixed moral points, soldiers as stars—gives the collection a coherent symbolic language. The compass image also appears in the poem 'Signs of the Zodiac' (listed in the contents), suggesting Van Dyke systematically wove astronomical and navigational figures into his wartime verse. The effect is to elevate the conflict from mere politics to a cosmic struggle between steadfast virtue and shifting winds.
Structure as a War Narrative in Miniature
The contents page reveals a deliberate chronological and emotional arc. The collection opens with 'The Peaceful Warrior' (May 1918), moves through poems about war news, wrath, and allied unity ('Britain, France, America'), includes a Red Cross poem and an Easter poem, then closes with the surrender of the German fleet and the memorial ode for Princeton (December 1918). This sequence traces a narrative from reluctant entry to victory and mourning. The final ode explicitly asks the living to 'gird our loins and lift our load' and 'keep true faith with our beloved dead.' Van Dyke thus structures the book not as a random gathering but as a poetic diary of the war's last year, ending with a call for postwar reconstruction. The excerpts do not reveal whether the intervening poems maintain this progression, but the table of contents strongly suggests a purposeful ordering from personal resolve to public commemoration.
Readers approaching Golden Stars should note that the excerpts represent only a portion of the collection; the full book includes poems such as 'Righteous Wrath,' 'Signs of the Zodiac,' and 'America's Welcome Home' that may expand or complicate the voice heard here. Van Dyke's prefatory note emphasizes that the verses are 'a wayside record' of varied feelings, not a systematic treatise. The poems reward attention to their recurring metaphors and their careful sequencing, which together turn a occasional piece into a coherent statement about war, peace, and memory.
I keep thinking about how Van Dyke held hope even after so much loss, how those wartime verses feel less like triumph and more like steady breath. It reminded me of another book I once sat with quietly, where the weight of old stories felt similarly patient. The Golden Legend — Background and Themes stayed with me that way, like a lantern left burning long after the room went dark.
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