The Rubaiyat of a Huffy Husband — A Closer Reading
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The catalog record for The Rubaiyat of a Huffy Husband — A Closer Reading provides practical reading context through 4,109 words, 18 min estimated reading time, and 1 detected text section.
The text analysis averages about 23.8 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Omar Khayyam -- Parodies, imitations, etc.,” connecting these edition facts with the source record’s subject description.
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- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
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THE RUBAIYAT OF A HUFFY HUSBAND
BOSTON RICHARD G. BADGER =The Gorham Press= 1908
_Copyright, 1908, by Mary B. Little_
_All Rights Reserved_
_The Gorham Press, Boston, U. S. A._
THE RUBAIYAT OF A HUFFY HUSBAND
I wake, the Sun does scatter into Flight The Dreams of Happiness I have each Night, O blessed Dreams--full of Domestic Bliss, Too soon alas! They're banished with the Light.
I'm going to tell in just the Briefest way The cause of all my Anguish--if I may-- Then one and all will know the Reason why My Mien is Solemn, and I am not Gay.
On Christmas day a good Friend did present My Wife a Book; no doubt with best intent. The "Rubaiyat of Omar Khayyam" 'twas. Little I dreamed the Woe of its Advent.
After the rush of Holidays was o'er, And things had settled back in Place once more, Wife found the Time to revel in that Book, And told me how she loved its Ancient Lore.
She soon possessed the dreadful Omar Fad, Which other Husbands, I have learned, think Bad. But unlike other Fads which now are Past, This has the power to make me very Mad.
The others which she tired of years before,-- Collecting Vases, Fans, and Spoons galore,-- Did not affect the Comfort of our Home, Therefore there was no reason to be Sore.
But now each time I come back to the House I find what was my former loving Spouse So deep absorbed in Omar's Rubaiyat, She reads right on, and scarcely does Arouse.
Or else I find her with her Pen in Hand, Grinding out Quatrains which mayhap are Grand, She tries to make me Listen: Rest assured That I obey Not any such Command.
Had I but known just what my Fate would be, Inside a Drawer to which I hold the Key, That Book forever would have Disappeared And thereby would have gained some Peace for Me.
But ah, the Irony of Fate--that's how "A Book of verses underneath the Bough" Is what I hear from Morn to Dewy Eve. A Wilderness _were_ Paradise just Now.
Sometimes when I am very tired, and Plead To be amused, My Wife says, "I will read." And this is what she tries to make me Hear, "With Earth's first Clay they did the Last man knead."
But don't imagine while Possessed of Wit, That I assent, and therefore Calmly sit. I take my hat, and hasten from the House, And come not back till think she's through with It.
I might have Prayed, and possibly thereby Have gained relief from Somewhere in the Sky. But Wife says, Omar's reckoning proves it "As Impotently moves as You or I."
At least that is the Doctrine he presents, Although to Me it is Devoid of Sense. My unbelief in what he says does Make My Wife's Love for him only more Intense.
And thus it is--the Rubaiyat's her Creed. It is her Comfort in all sorts of Need. I tear my hair--I storm--I swear, and yet, 'Tis only to dear Omar she pays Heed.
"Some for the Glories of this world; and some Sigh for the Prophet's Paradise to Come;" The greatest Boon I ask for is, I may Supplant this Interloper as a Chum.
Now all the Years that we have Wedded been, Not once had Demon Jealousy crept in Until this Omar--dead eight Hundred Years, Did come and her Affection from me Win.
I feel chagrined to Think, at this late Date, A Man so long since Dead can alienate The fond Devotion that's been mine alone. No Wonder I cry out 'gainst such a Fate.
"The Worldly Hope men set their Hearts upon Turns Ashes--or it prospers; and anon," Just so those happy Days of long ago Were Mine, for one sweet space of Time then gone.
The last few Months I eagerly frequent My Clubs; wherein I hear great Argument Regarding Wives, and how to manage them. But come no Wiser than when in I went.
Strange, is it not? Of all the Husbands who Before me passed this Door of Trouble through Not One has left a word of good Advice, Nor e'en suggested what is Best to do.
My Friends can't help me, yet they laugh to Scorn My downcast looks, and at the way I Mourn. They do not know the Anguish of my Soul, Bereft of Wife--unhappy--and forlorn.
Mary B. Little's The Rubaiyat of a Huffy Husband (1908) is a sustained parody that borrows the quatrain form and some phrasing of Edward FitzGerald's translation of Omar Khayyam, but redirects them into a domestic complaint. The speaker, a husband, narrates how his wife's enthusiasm for the Rubaiyat after receiving it as a Christmas gift leads to neglect of his comfort and authority. The poem's humor depends on the gap between the lofty, fatalistic tone of the original and the trivial, self-pitying grievances of the speaker.
Parody as Domestic Satire
The poem opens with a direct inversion of Khayyam's famous dawn: “I wake, the Sun does scatter into Flight / The Dreams of Happiness I have each Night.” Where the original celebrates the moment, the husband mourns the loss of “Domestic Bliss.” The wife's fad is compared to earlier collecting hobbies—vases, fans, spoons—that did not affect “the Comfort of our Home.” The parody operates by mapping Khayyam's carpe diem philosophy onto a husband's desire for attention. When the wife quotes “A Book of verses underneath the Bough,” the husband retorts that “A Wilderness were Paradise just Now,” twisting the line into a complaint about being read to. The poem's structure—a series of quatrains—mirrors the original, but its content systematically deflates the original's themes.
The Wife's Voice and the Husband's Resistance
The wife is never directly quoted; her words are reported through the husband's exasperated paraphrases. She says, “I will read,” and then recites lines like “With Earth's first Clay they did the Last man knead.” The husband's response is physical flight: “I take my hat, and hasten from the House.” He refuses to listen, calling the doctrine “Devoid of Sense.” The wife's devotion is described as a creed: “the Rubaiyat's her Creed. / It is her Comfort in all sorts of Need.” The husband's impotent rage—“I tear my hair—I storm—I swear”—contrasts with her serene absorption. This asymmetry drives the comedy: the more he protests, the more she clings to Omar.
Catalog Subjects vs. Textual Evidence
The catalog lists this work under “Omar Khayyam — Parodies, imitations, etc.” and “Humorous poetry,” which accurately describes its form and tone. However, the secondary subject “Fantasy & Juvenile Worlds” is misleading: the poem is a domestic satire with no fantastical elements. The speaker is an adult husband, not a child, and the setting is a contemporary home. The humor derives from marital friction, not imagination or wonder. Readers expecting fantasy will find instead a realistic complaint. The poem's brevity (4,109 words) and simple quatrain structure might suggest juvenile appeal, but its irony and allusions to Khayyam assume adult familiarity with the source text.
Little's parody succeeds by maintaining the formal constraints of the Rubaiyat while inverting its spirit. Readers familiar with FitzGerald's translation will recognize the borrowed rhythms and occasional direct quotations, but the poem stands on its own as a snapshot of early twentieth-century domestic humor. The husband's voice—petulant, self-justifying, and ultimately powerless—makes the parody work without needing knowledge of the original.
This huffy husband's quatrains remind me of evenings in my grandmother's parlor, her old copy of Omar worn soft at the corners. She'd read aloud, half-laughing, half-sighing. Another afternoon, I found the same wry melancholy in The Poetical Works of Mark Akenside — Inside the Classic, where even philosophy feels like a gentle, private quarrel with the world.
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