My Beautiful Lady. Nelly Dale — Inside the Classic

(0 User reviews)   1476
Woolner, Thomas, 1825-1892, Morley, Henry, 1822-1894 [Editor] Project Gutenberg 2006 Not confirmed
Poetry Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 23,285
Reading time 102 min
Text sections 3

The source record for My Beautiful Lady. Nelly Dale — Inside the Classic measures this digital text at 23,285 words, 1 hr 42 min estimated reading time, and 3 detected text sections.

The text analysis averages about 31.5 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Poetry,” connecting these edition facts with the source record’s subject description.

Thomas Woolner's narrative poem traces a speaker's love for an unnamed lady through three parts, moving from idealized devotion to loss and memory. The verse shifts between intimate scenes and natural landscapes, using recurring images of dawn, ivy, and storms to mark emotional transitions.
Share
Editorial Edition Score 4.5/5

Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.

How this score is calculated
  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

Edition quality

Read the Text

That were an honour even unto those Whose genius marks the boundaries of our race.

Love comes divinely, gladdening mortal life, As sunrise dawns upon the gaze of one Bewildered in some outland waste, and lost: Who, lonely faint and shuddering, through the night Heard savage creatures nigh; and far-off moan Of tempests on the wind.

Auroral joy Flushes the brow of childhood, warms his cheek To rosier redness at the name of Love; And earlier thoughts awake in darkness strive; As unfledged nestlings move their sightless heads At sound, toward a fair world to them unknown. Young Hope scales azure mountain heights to gaze, In Love's first golden and delicious dream. He sees the earth a maze of tempting paths, For blissful sauntering mid the crowded flowers And music of the rills. No ambushed wrongs, Or thwarting storms there baffle and surprise; But lingering, man treads long an odorous way; And at the close, with Love clasped hand in hand, Sets in proud glory: thence to rise anon With Love beyond the stars and rest in heaven.

Man, nerved by Love, can steadily endure Clash of opposing interests; perplexed web Of crosses that distracting clog advance: In thickest storm of contest waxes stronger At momentary thought of home, of her, His gracious wife, and bright-faced joys.

To him The wrinkled patriarch, who sits and suns His shrunken form beneath the boughs he climbed A lissom boy, whence comes that brooding smile, Whose secret lifts his cheeks, and overflows His sight with tender dew? What through his frame Melts languor sweeter than approaching sleep To one made weary by a hard day's toil? It is the memory of primal love, Whose visionary splendour steeped his life In hues of heaven; and which grown open day, Revealing perilous falls, his steps confined Within the pathways to the noblest end. Now following this dimmed glory, tired, his soul Haunts ever the mysterious gates of Death; And waits in patient reverence till his doom Unfolding them fulfils immortal Love.

As from some height, on a wild day of cloud, A wanderer, chilled and worn, perchance beholds Move toward him through the landscape soaked in gloom A golden beam of light; creating lakes, And verdant pasture, farms, and villages; And touching spires atop to flickering flame; Disclosing herds of sober feeding kine; And brightening on its way the woods to song; As he, that wanderer, brightens when the shaft Suddenly falls on him. A moment warmed, He scarcely feels its loveliness before The light departing leaves his saddened soul More cold than ere it came. Thus love once shone And blessed my life: so vanished into gloom.

I. MY BEAUTIFUL LADY.

I love My Lady; she is very fair; Her brow is wan, and bound by simple hair: Her spirit sits aloof, and high, But glances from her tender eye In sweetness droopingly.

As a young forest while the wind drives through, My life is stirred when she breaks on my view; Her beauty grants my will no choice But silent awe, till she rejoice My longing with her voice.

Her warbling voice, though ever low and mild, Oft makes me feel as strong wine would a child: And though her hand be airy light Of touch, it moves me with its might, As would a sudden fright.

A hawk high poised in air, whose nerved wing-tips Tremble with might suppressed, before he dips, In vigilance, hangs less intense Than I, when her voice holds my sense Contented in suspense.

Her mention of a thing, august or poor, Makes it far nobler than it was before: As where the sun strikes life will gush, And what is pale receive a flush, Rich hues, a richer blush.

My Lady's name, when I hear strangers use, Not meaning her, sounds to me lax misuse; I love none but My Lady's name; Maud, Grace, Rose, Marian, all the same, Are harsh, or blank and tame.

My Lady walks as I have seen a swan Swim where a glory on the water shone: There ends of willow branches ride, Quivering in the flowing tide, By the deep river's side.

Fresh beauties, howsoe'er she moves, are stirred: As the sunned bosom of a humming bird At each pant lifts some fiery hue, Fierce gold, bewildering green or blue; The same, yet ever new.

What time she walks beneath the flowering May, Quite sure am I the scented blossoms say, "O Lady with the sunlit hair! Stay and drink our odorous air, The incense that we bear:

"Thy beauty, Lady, we would ever shade; For near to thee, our sweetness might not fade." And could the trees be broken-hearted, The green sap surely must have smarted, When my Lady parted.

Thomas Woolner's My Beautiful Lady. Nelly Dale opens with a speaker who has been pierced by a ray from heaven, declaring belief in worth. The poem's three-part structure moves from an initial vision of the lady to a later section set years after her disappearance, marked by a carven stone where ivy creeps to her name. Woolner, a sculptor and Royal Academician, builds the verse around contrasts: the speaker's brightened soul against dank vapour, the dawn flushing like health returning to a sick face, and the shift from golden time to enormous war breaking through the heavens.

A Three-Part Movement

The poem is divided into three parts, each with its own temporal and emotional register. Part the First establishes the speaker's trance-like state after the lady's singing ceases; he looks hopeful toward the East and sees her aspect on the morning star. Part the Third opens with the line 'Our world has spun ten circles round the light / Since here she vanished,' introducing a carved stone that has weathered into harmony with its surroundings. The middle part, though not excerpted, bridges these two poles of presence and absence. This tripartite structure allows Woolner to contrast immediate rapture with retrospective grief, and to move from the dawn of love to the long aftermath of loss.

Recurring Images of Light and Weather

Throughout the excerpts, light and weather serve as markers of emotional state. The speaker's soul is 'brightened' after the singing ceases, and he sees the dawn flush 'pole to pole.' Later, the memory of walking by the river includes 'sunset-dazzled flowers' and a church tower that 'burned a wall of fire.' Winter scenes feature the 'full-grown magic moon' casting splendour on silver rime. But these bright images are countered by 'dank vapour,' 'deathlike pallor,' and a storm that 'broke through the heavens, / In sheets and streaking fire and thunderous clap.' The weather is not mere backdrop; it actively participates in the speaker's emotional journey, from the 'fresh delicious breezes' of early joy to the 'wrathful drift' that lays the land in gloom.

The Carven Stone and the Ivy

In Part the Third, a specific object anchors the speaker's memory: a 'carven stone' that was once 'raw, garish, stolidly obtrusive' but now 'harmonising kindly with the rest.' A spray of ivy creeps 'from death to birth' and reaches to the lady's name, its 'tender leaflets' feeling the letter's edge. The speaker can 'scarce think it chance' that the ivy touches the name. This stone functions as a tangible link between past and present, and the ivy's growth suggests a natural process of mourning and integration. The speaker's memory then crowds in 'tumultuous, as in dreams,' blending scenes of trustful clasping hands with the later recognition that he is 'worn and changed' from the man who sought and won her love.

Movement Between Intimate and Expansive Scenes

Woolner's verse shifts rapidly between close, personal moments and wide, natural vistas. The speaker recalls 'tenderest intercourse / Of trustful glance, and trustful clasping hands' by the river, while overhead 'melodious branches sang.' He wanders 'from knoll to knoll' and drinks 'the lisping winds.' Yet these intimate scenes are embedded in larger cycles: the seasons turn from spring to midsummer to winter, and the landscape itself becomes a stage for cosmic forces. The storm that 'crushed the ripened corn' and 'wrenched great timbers of a thousand years' dwarfs the personal drama, yet the speaker's joy and grief remain the poem's central pulse. This oscillation between the private and the panoramic gives the poem its distinctive rhythm.

Readers attentive to Woolner's sculptural background will notice how he carves scenes with precise physical details—the ivy's 'kisslike touch,' the 'silver rime,' the 'clogged horizon.' The poem rewards attention to its structural hinges, especially the transition from Part the Second to Part the Third, where the stone and the ten-year gap reframe everything that came before. Approach the verse as a sequence of vivid tableaux rather than a continuous narrative, and let the recurring images of dawn, storm, and ivy guide your reading.

I keep thinking about how that poem holds loss the way ivy clings to old stone, quiet and persistent. The speaker’s dawns blur into evenings, and the lady becomes more memory than presence. Something similar lingers in Withered Leaves from Memory's Garland — Reading Notes, where recollection itself feels like breathing. It’s not sadness exactly, just a tender ache that stays long after the page is turned.

There are no reviews for this eBook.

0
0 out of 5 (0 User reviews )

Add a Review

Your Rating *
There are no comments for this eBook.

Reader reflection

Your personal reading reflection

Build a private reading journal entry for this title.

Your progress 0 / 10
1

Where are you in your reading?

2

How did the book work for you overall?

3

Would you pass this book on to a friend?

4

What was the reading difficulty like?

Related eBooks