The Works of Christopher Marlowe, Vol. 3 (of 3) — Edition Insights
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herein was Proteus carved; and over-head A lively vine of green sea-agate spread, Where by one hand light-headed Bacchus hung, And with the other wine from grapes out-wrung. 140 Of crystal shining fair the pavement was; The town of Sestos call'd it Venus' glass: There might you see the gods, in sundry shapes, Committing heady riots, incests, rapes; For know, that underneath this radiant flour[10] Was Dan‰e's statue in a brazen tower: Jove slily stealing from his sister's bed, To dally with Idalian Ganymed, And for his love Europa bellowing loud, And tumbling with the Rainbow in a cloud; 150 Blood-quaffing Mars heaving the iron net Which limping Vulcan and his Cyclops set; Love kindling fire, to burn such towns as Troy; Silvanus weeping for the lovely boy That now is turned into a cypress-tree, Under whose shade the wood-gods love to be. And in the midst a silver altar stood: There Hero, sacrificing turtles' blood, Vailed[11] to the ground, veiling her eyelids close; And modestly they opened as she rose: 160 Thence flew Love's arrow with the golden head; And thus Leander was enamourËd. Stone-still he stood, and evermore he gaz'd, Till with the fire, that from his countenance blaz'd, Relenting Hero's gentle heart was strook: Such force and virtue hath an amorous look. It lies not in our power to love or hate, For will in us is over-rul'd by fate. When two are stript long ere the course begin, We wish that one should lose, the other win; 170 And one especially do we affect Of two gold ingots, like in each respect: The reason no man knows, let it suffice, What we behold is censur'd by our eyes. Where both deliberate, the love is slight: Who ever lov'd, that lov'd not at first sight?[12] He kneel'd; but unto her devoutly prayed: Chaste Hero to herself thus softly said, "Were I the saint he worships, I would hear him;" And, as she spake those words, came somewhat near him. 180 He started up; she blushed as one asham'd; Wherewith Leander much more was inflam'd. He touch'd her hand; in touching it she trembled: Love deeply grounded hardly is dissembled. These lovers parled by the touch of hands: True love is mute, and oft amazËd stands. Thus while dumb signs their yielding hearts entangled, The air with sparks of living fire was spangled; And night,[13] deep-drenched in misty Acheron, Heav'd up her head, and half the world upon 190 Breath'd darkness forth (dark night is Cupid's day): And now begins Leander to display Love's holy fire, with words, with sighs, and tears; Which, like sweet music, enter'd Hero's ears; And yet at every word she turn'd aside And always cut him off, as he replied. At last, like to a bold sharp sophister, With cheerful hope thus he accosted her. "Fair creature,[14] let me speak without offence: I would my rude words had the influence 200 To lead thy thoughts as thy fair looks do mine! Then shouldst thou be his prisoner, who is thine. Be not unkind and fair; mis-shapen stuff Are of behaviour boisterous and rough. O, shun me not, but hear me ere you go! God knows, I cannot force love as you do: My words shall be as spotless as my youth, Full of simplicity and naked truth. This sacrifice, whose sweet perfume descending From Venus' altar, to your footsteps bending, 210 Doth testify that you exceed her far, To whom you offer, and whose nun you are. Why should you worship her? her you surpass As much as sparkling diamonds flaring glass. A diamond set in lead his worth retains; A heavenly nymph, belov'd of human swains, Receives no blemish, but ofttimes more grace; Which makes me hope, although I am but base, Base in respect of thee divine and pure, Dutiful service may thy love procure; 220 And I in duty will excel all other, As thou in beauty dost exceed Love's mother. Nor heaven nor thou were made to gaze upon: As heaven preserves all things, so save thou one. A stately-builded ship, well rigg'd and tall, The ocean maketh more majestical; Why vow'st thou, then, to live in Sestos here, Who on Love's seas more glorious wouldst appear? Like untun'd golden strings all women are, Which long time lie untouch'd, will harshly jar. 230 Vessels of brass, oft handled, brightly shine: What diffËrence betwixt[15] the richest mine And basest mould, but use? for both, not us'd, Are of like worth. Then treasure is abus'd, When misers keep it: being put to loan, In time it will return us two for one. Rich robes themselves and others do adorn; Neither themselves nor others, if not worn. Who builds a palace, and rams up the gate, Shall see it ruinous and desolate: 240 Ah, simple Hero, learn thyself to cherish! Lone women, like to empty houses, perish. Less sins the poor rich man, that starves himself In heaping up a mass of drossy pelf, Than such as you: his golden earth remains, Which, after his decease some other gains; But this fair gem, sweet in the loss alone, When you fleet hence, can be bequeath'd to none; Or, if it could, down from th' enamell'd sky All heaven would come to claim this legacy, 250 And with intestine broils the world destroy, And quite confound Nature's sweet harmony. Well therefore by the gods decreed it is, We human creatures should enjoy that bliss. One is no number;[16] maids are nothing, then, Without the sweet society of men. Wilt thou live single still? one shalt thou be, Though never-singling Hymen couple thee. Wild savages, that drink of running springs Think water far excels all earthly things; 260 But they, that daily taste neat[17] wine, despise it: Virginity, albeit some highly prize it, Compar'd with marriage, had you tried them both, Differs as much as wine and water doth. Base bullion for the stamp's sake we allow: Even so for men's impression do we you; By which alone, our reverend fathers say, Women receive perfection every way. This idol, which you term virginity, Is neither essence subject to the eye, 270 No, nor to any one exterior sense, Nor hath it any place of residence, Nor is't of earth or mould celestial, Or capable of any form at all. Of that which hath no being, do not boast; Things that are not at all, are never lost. Men foolishly do call it virtuous: What virtue is it, that is born with us? Much less can honour be ascrib'd thereto: Honour is purchas'd by the deeds we do; 280 Believe me, Hero, honour is not won, Until some honourable deed be done. Seek you, for chastity, immortal fame, And know that some have wrong'd Diana's name? Whose name is it, if she be false or not, So she be fair, but some vile tongues will blot? But you are fair, ay me! so wondrous fair, So young, so gentle, and so debonair. As Greece will think, if thus you live alone, Some one or other keeps you as his own. 290 Then, Hero, hate me not, nor from me fly, To follow swiftly-blasting infamy. Perhaps thy sacred priesthood makes thee loath: Tell me to whom mad'st thou that heedless oath?" "To Venus," answer'd she; and, as she spake, Forth from those two tralucent cisterns brake A stream of liquid pearl, which down her face Made milk-white paths, whereon the gods might trace To Jove's high court. He thus replied: "The rites In which Love's beauteous empress most delights, 300 Are banquets, Doric music, midnight revel, Plays, masks, and all that stern age counteth evil. Thee as a holy idiot doth she scorn; For thou, in vowing chastity, hast sworn To rob her name and honour, and thereby Committ'st a sin far worse than perjury, Even sacrilege against her deity, Through regular and formal purity. To expiate which sin, kiss and shake hands: Such sacrifice as this Venus demands." 310 Thereat she smil'd, and did deny him so, As put[18] thereby, yet might he hope for mo; Which makes him quickly reinforce his speech, And her in humble manner thus beseech: "Though neither gods nor men may thee deserve, Yet for her sake, whom you have vow'd to serve, Abandon fruitless cold virginity, The gentle queen of Love's sole enemy. Then shall you most resemble Venus' nun, When Venus' sweet rites are performed and done. 320 Flint-breasted Pallas joys in single life; But Pallas and your mistress are at strife. Love, Hero, then, and be not tyrannous; But heal the heart that thou hast wounded thus; Nor stain thy youthful years with avarice: Fair fools delight to be accounted nice. The richest[19] corn dies, if it be not reapt; Beauty alone is lost, too warily kept." These arguments he us'd, and many more; Wherewith she yielded, that was won before. 330 Hero's looks yielded, but her words made war: Women are won when they begin to jar. Thus, having swallow'd Cupid's golden hook, The more she striv'd, the deeper was she strook: Yet, evilly feigning anger, strove she still, And would be thought to grant against her will. So having paus'd a while, at last she said, "Who taught thee rhetoric to deceive a maid? Ay me! such words as these should I abhor, And yet I like them for the orator." 340 With that, Leander stooped to have embrac'd her, But from his spreading arms away she cast her, And thus bespake him: "Gentle youth, forbear To touch the sacred garments which I wear. Upon a rock, and underneath a hill, Far from the town (where all is whist[20] and still, Save that the sea, playing on yellow sand, Sends forth a rattling murmur to the land, Whose sound allures the golden Morpheus In silence of the night to visit us), 350 My turret stands; and there, God knows, I play With Venus' swans and sparrows all the day. A[21] dwarfish beldam bears me company, That hops about the chamber where I lie, And spends the night, that might be better spent, In vain discourse and apish merriment:-- Come thither." As she spake this, her tongue tripp'd, For unawares "Come thither" from her slipp'd; And suddenly her former colour chang'd, And here and there her eyes through anger rang'd; 360 And, like a planet moving several ways At one self instant, she, poor soul, assays, Loving, not to love at all, and every part Strove to resist the motions of her heart: And hands so pure, so innocent, nay, such As might have made Heaven stoop to have a touch, Did she uphold to Venus, and again Vow'd spotless chastity; but all in vain; Cupid beats down her prayers with his wings; Her vows above[22] the empty air he flings: 370 All deep enrag'd, his sinewy bow he bent, And shot a shaft that burning from him went; Wherewith she strooken, look'd so dolefully, As made Love sigh to see his tyranny; And, as she wept, her tears to pearl he turn'd, And wound them on his arm, and for her mourn'd. Then towards the palace of the Destinies, Laden with languishment and grief, he flies, And to those stern nymphs humbly made request, Both might enjoy each other, and be blest. 380 But with a ghastly dreadful countenance, Threatening a thousand deaths at every glance, They answer'd Love, nor would vouchsafe so much As one poor word, their hate to him was such: Hearken awhile, and I will tell you why. Heaven's wingËd herald, Jove-born Mercury, The self-same day that he asleep had laid Enchanted Argus, spied a country maid, Whose careless hair, instead of pearl t'adorn it, Glister'd with dew, as one that seemed to scorn it; 390 Her breath as fragrant as the morning rose; Her mind pure, and her tongue untaught to glose: Yet proud she was (for lofty Pride that dwells In tower'd courts, is oft in shepherds' cells), And too-too well the fair vermillion knew And silver tincture of her cheeks that drew The love of every swain. On her this god Enamour'd was, and with his snaky rod Did charm her nimble feet, and made her stay, The while upon a hillock down he lay, 400 And sweetly on his pipe began to play, And with smooth speech her fancy to assay, Till in his twining arms he lock'd her fast, And then he woo'd with kisses; and at last, As shepherds do, her on the ground he laid, And, tumbling in the grass, he often stray'd Beyond the bounds of shame, in being bold To eye those parts which no eye should behold; And, like an insolent commanding lover, Boasting his parentage, would needs discover 410 The way to new Elysium. But she, Whose only dower was her chastity, Having striven in vain, was now about to cry, And crave the help of shepherds that were nigh. Herewith he stay'd his fury, and began To give her leave to rise: away she ran; After went Mercury, who used such cunning, As she, to hear his tale, let off her running (Maids are not won by brutish force and might, But speeches full of pleasures and delight); 420 And, knowing Hermes courted her, was glad That she such loveliness and beauty had As could provoke his liking; yet was mute, And neither would deny nor grant his suit. Still vow'd he love: she, wanting no excuse To feed him with delays, as women use, Or thirsting after immortality, (All women are ambitious naturally), Impos'd upon her lover such a task, As he ought not perform, nor yet she ask; 430 A draught of flowing nectar she requested, Wherewith the king of gods and men is feasted. He, ready to accomplish what she will'd, Stole some from Hebe (Hebe Jove's cup fill'd), And gave it to his simple rustic love: Which being known,--as what is hid from Jove?-- He inly storm'd, and wax'd more furious Than for the fire filch'd by Prometheus; And thrusts him down from heaven. He, wandering here, In mournful terms, with sad and heavy cheer, 440 Complain'd to Cupid: Cupid, for his sake, To be reveng'd on Jove did undertake; And those on whom heaven, earth, and hell relies, I mean the adamantine Destinies, He wounds with love, and forc'd them equally To dote upon deceitful Mercury. They offer'd him the deadly fatal knife That shears the slender threads[23] of human life; At his fair-feather'd feet the engines laid, Which th' earth from ugly Chaos' den upweigh'd. 450 These he regarded not; but did entreat That Jove, usurper of his father's seat, Might presently be banish'd into hell, And agËd Saturn in Olympus dwell. They granted what he crav'd; and once again Saturn and Ops began their golden reign: Murder, rape, war, and[24] lust, and treachery, Were with Jove clos'd in Stygian empery. But long this blessËd time continu'd not: As soon as he his wishËd purpose got, 460 He, reckless of his promise, did despise The love of th' everlasting Destinies. They, seeing it, both Love and him abhorr'd, And Jupiter unto his place restor'd: And, but that Learning, in despite of Fate, Will mount aloft, and enter heaven-gate, And to the seat of Jove itself advance, Hermes had slept in hell with Ignorance. Yet, as a punishment, they added this, That he and Poverty should always kiss; 470 And to this day is every scholar poor: Gross gold from them runs headlong to the boor. Likewise the angry Sisters, thus deluded, To venge themselves on Hermes, have concluded That Midas' brood shall sit in Honour's chair, To which the Muses' sons are only heir; And fruitful wits, that inaspiring[25] are, Shall, discontent, run into regions far; And few great lords in virtuous deeds shall joy But be surpris'd with every garish toy, 480 And still enrich the lofty servile clown, Who with encroaching guile keeps learning down. Then muse not Cupid's suit no better sped, Seeing in their loves the Fates were injurËd.
This third volume of A. H. Bullen's edition of Marlowe's works gathers the poet's non-dramatic verse, including the unfinished 'Hero and Leander,' the complete 'Ovid's Elegies,' 'Epigrams by J. D.,' 'The First Book of Lucan,' and several shorter poems. Bullen's editorial method is evident from the opening pages: he collates multiple early quarto editions, noting variant readings and tracing the poem's publication history from 1598 onward. The volume offers a textual record of how Marlowe's lines circulated and were modified in print.
Textual Collation and Editorial Method
Bullen's edition foregrounds the material history of Marlowe's verse. For 'Hero and Leander,' he distinguishes between the first edition (1598, containing only Marlowe's portion) and the second (also 1598, completed by George Chapman). He records the discovery of two copies of the second edition at Lamport Hall, a detail that grounds the text in a specific archival find. The footnotes to Ovid's 'Elegies' signal textual cruces: for instance, a note on Elegia XVIII indicates that a line is 'Not in Isham copy or ed. A,' showing Bullen's reliance on multiple witnesses. This attention to variant states—such as the reading 'nymphæ' for 'nymphe' in Elegia XV—reveals how small lexical choices affect the poem's classical texture.
Marlowe's Ovidian Voice and Translation Strategy
The 'Elegies' showcase Marlowe's characteristic blend of colloquial energy and learned allusion. In Elegia XVIII, the speaker describes his mistress sitting 'in my lap' and giving 'thousand kisses,' a domestic intimacy that undercuts the epic ambitions announced in the same poem. Marlowe renders Ovid's Latin with a freedom that sometimes condenses or expands: where the original has 'Quam cito de toto rediit meus orbe Sabinus,' Marlowe writes 'As soon as from strange lands Sabinus came,' streamlining the geography. The translation also introduces pointed English idioms—'stolen sweets we affect' in Elegia XIX—that give the classical material a contemporary edge. Bullen's notes occasionally flag these departures, inviting readers to compare Marlowe's choices with the source.
Pace and Variation Across the Verse Forms
The volume's contents shift markedly in pace and register. 'Hero and Leander' moves in leisurely, ornate couplets, its mythological descriptions expanding into digressive similes. The 'Elegies' are more compressed, often closing with an epigrammatic turn—as in Elegia XIX's warning 'let my warnings cause my pain.' 'The First Book of Lucan' adopts a sterner, more regular iambic pentameter suited to historical narrative. Bullen's arrangement highlights these contrasts: the reader moves from the erotic fluency of Ovid to the political gravity of Lucan without editorial commentary. The shorter pieces, including 'The Passionate Shepherd to His Love,' offer a final shift to lyric simplicity, their refrains and direct address standing apart from the longer poems' rhetorical complexity.
Readers approaching this volume should attend to the footnotes as a parallel text: Bullen's collations and source identifications reveal the editorial decisions behind the printed page. Comparing Marlowe's translations with their originals—especially in the 'Elegies' and 'Lucan'—illuminates his characteristic habits of expansion, contraction, and idiomatic substitution. The volume rewards those who read across the poems, noting how Marlowe adapts his voice to different classical models while maintaining a distinctive rhythmic signature.
I’ve spent long hours with Bullen’s careful notes on Marlowe’s Hero and Leander, watching how a line shifts between quartos. There’s a gentle ache in that kind of patient attention. It reminds me of opening The Visions of England Lyrics on leading men and events in English History — Themes and Context—same quiet devotion to what history leaves behind. Both feel less like books and more like old friends who keep their own counsel.
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