Lilith — Context and Discussion
Edition facts
Lilith — Context and Discussion can be approached with a clearer sense of reading commitment from its source measurements: 23,625 words, 1 hr 43 min estimated reading time, and 4 detected text sections.
The text analysis averages about 13.8 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “American poetry,” connecting these edition facts with the source record’s subject description.
Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.
How this score is calculated
- Description quality20 pts
- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
- EPUB file integrity20 pts
Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.
Read the Text
e the gate that looked without She reached, one fleeting moment paused in doubt Upon a river’s brink. In one swift glance All coming time she saw. A weird romance Wherein she traced great peoples yet unborn, New springing cycles, strange lands cleft with tarn Or pleasant vale, and green plains stretching far, And quiet bays, and many a shingly bar, And troubled seas, with bitter perils past, And elfin shapes that jeering flitted fast With scornful faces, leering lips that smiled, Or bursts of laughter through that vision wild. Uncertain, then, she stood, half loth to turn. “Against yon deepening sky, how dimly burn The stars, new-lit. Dear home, thou art so fair!” She fondly sighed. Then sudden she was ’ware The angel near her paused, whose watchful care Guards Eden’s peaceful bounds. Serene, his air So tender-sweet, so pure the gentle face, She scarce dared look upon its subtle grace. Sad were his eyes; his words, rebuking, fell Soft as the moonshine clear, in sleeping dell. “My sister, go not hence, lest these gates bar Lilith forever out. From peace afar, Anger and pride shall lead through distant ways Thy feet reluctant, in the evil days. All is decreed. At yonder southern gate Behold! waits even now my princely mate. Thou can’st not tell which hath in our far land The highest place. Nay; nor, indeed, whose hand Hath grasped the noblest fame; nor yet divine Whose brows enwound with honor, brightest shine. In pleasant labor lurks no thought of pain; The greatest loss oft brings the noblest gain; The heart’s warm pulse feels not one throb of strife, And Love is holiest crown of human life. Ere thou didst sleep, beyond the rim of night I heard a voice that sang. The carol light, Scarce earth-born seemed. So sweet the matchless strain, Its cadence weird, lowly to breathe again, Wrapt echo, listening, half forgot; and o’er And o’er, as joyous birds unprisoned soar, The free notes rose. And in the silence wide, Across the seas, across the night, I cried: O sinless soul, whose clear voice blithely rings ’Gainst the blue verge of stars! ’Tis Lilith sings The happy song of love. O Love! the tint Of light divine thou wearest. Thou hast no hint Of storm or turmoil, or of Sin’s rough ways, Whose feet to heaven climb, through darkest maze. Ah, Lilith, sure the love that basely weighs, That stoops to count its gifts, and hoarding, says, ‘Such and so many, these indeed are mine; I hold my treasure dear, nor covet thine;’ This is not love; ’tis Thrift in borrowed dress, Deceiving thee. Love giveth free largess With open hand, clean as the whitest day; Yea, that it gave, forgetteth it straightway. Beyond these walls dwells bliss that lives not here? When thou hast bartered peace, outshining clear And storm-tossed wide, art wildly driven hence, The outer world gives thee no recompense. Each shining sphere that trembles in blue space Hath orbit true—its own familiar place. Nor doth the planet pale that gems the night Reel wanton down, the smallest star to smite. No twining vine, tendril, or springing shoot Ere taught thee so; for bud and leaf and root Doth its best self lift upward into light, Yet climbing still, scorns not the sacred right That shrines its fellow. “So pattering rains The dark roots drink—and healthful juice slow drains Deep ’neath the mould; and with their secret toil Bear stainless, leaf and flow’r above the soil. Noblest the soul that self hath most forgot; Strongest the self which hath most humbly wrought; Purest the soul that in full light serene, Unquestioning, enwrapt, God’s field doth glean. I have seen worlds far hence; thy tender feet Bleeding, will tread their stony ways. And sweet Is love. And wedded love, grown cold and rude, More bitter-seeming makes dull solitude. Security is sweet; and light and warm The young heart beats, close shut from every harm.” “Yet,” Lilith answered slow, “in that still night Ere He, the garden’s Lord, passed from our sight, Hast thou forgot his words? ‘Lo this fair spot Made for your pleasance; see ye mar it not, Oh, twin-born pair! So richly dight with grace Of soul and stature; unto whom the place I give. Together rule. Bear equal sway O’er all that live herein.’ Hath Lilith sought A solitary reign? Hath she in aught Offended? Nay; ’tis Adam who doth break The compact. Therefore, unhindered let me take My way far hence. I shall not vex his soul With fretful plaints, where unknown stars shall roll, Far, far away,” she sighed. “Yet ere these bounds Thy feet pass, linger. Lilith, list glad sounds That greet thine ear. Slow cycles will pass on And in the time-to-be-bright years, grow wan; Old planets fade, new stars shall dimly burn, But not to Eden’s peace shalt thou return. Oft from thy yearning heart glad hope shall fail. Thy fruit of life lift bloom all sere and pale. Certain, small comfort bides, when joy is gone, In Great or Less. Grim Sorrow waits to lead thee on. Sorrow! Thou hast not seen her pallid face. In thy most troubled dream she had no place”— “Nay, I depart,” she said, with lips grown chill. “Fearless and free, exiled, but princess still.” “I may not hinder thee,” the Angel sighed; “No soul unwilling here may ever bide.” Slow swung the verdant gates neath saddest eyes. _Lilith forever lost fair Paradise._
Collier's preface immediately distinguishes her Lilith from the demonic spectre of medieval folklore. She writes that she has 'not drawn Lilith as there represented—the bloodthirsty sovereign' but instead 'transferred to the more beautiful shadow-world' of poetry. This framing primes readers for a sympathetic, mournful figure rather than a child-killing monster. The poem itself opens with Lilith already exiled, speaking to Eblis, prince of devils, as they observe Eve nursing a child—a sight that provokes Lilith's anguished cry: 'I shall not know such joy.'
Lilith's Voice and the Shadow-World
The earliest excerpt places Lilith in a 'dark realm of night' with Eblis, yet her speech is not demonic but desolate. She curses Eve and Adam, but her complaint is specifically maternal: 'No babe shall come!' The poem's setting—a 'shadow-world' that Collier calls 'the abode of poets themselves'—is established as a liminal space of longing. Readers should note how Lilith's voice carries the poem's emotional weight; she is not a villain but a bereft observer. The preface's claim that she retains 'the humanizing element' is borne out in her jealousy, which feels personal rather than mythic.
Adam's Grief and the Landscape of Loss
After Lilith's departure, the poem shifts to Adam's perspective in Eden. The natural world mirrors his sorrow: 'Bloomless the days, the nights bowed down with care.' Collier uses repeated auditory details—the wood-dove's 'plaintive moan,' the winds 'among the scented glades'—to create a soundscape of absence. Adam hears Eden itself sigh 'Never-more!' This section demonstrates Collier's technique of projecting emotion onto landscape, a device that recurs throughout. The pacing is slow, almost static, as Adam 'pondered on blue peaks remote,' emphasizing his paralysis without Lilith.
Eve's Arrival as a Counterpoint
When Eve appears, Collier contrasts her sharply with Lilith. Eve's description is soft and diminutive: 'Less red the dart / That deepest cleaves the folded rose's heart, / Than her round cheeks.' Her hair is 'like vagrant tendrils,' her hands 'quaintly crossed.' The poem explicitly compares the two women: 'Not hers the regal air / Of Lilith lost, the white arms, lissom, bare.' Eve is domestic, gentle, and unassuming—'soft, as through / Some pleasant dream.' This juxtaposition suggests that Lilith's tragedy is not just exile but replacement by a milder, more acceptable wife. The narrative voice remains neutral, letting the contrast speak.
The Architecture of Envy and the Unseen Child
The final excerpt returns to Lilith watching Eve with her baby. The scene is voyeuristic: 'See how the babe, scarce waking, doth caress / The mother!' Lilith's curse—'Accurséd may she be'—is directed at Eve, but her true anguish is the child she will never hold. Collier refrains from making Lilith act on her jealousy; instead, she 'trembling, she brake off' and retreats with Eblis. The poem leaves open whether Lilith will become the child-killing spectre of legend or remain a figure of pathos. Readers should attend to how the poem withholds resolution, ending on Lilith's unanswered question: 'What name she bears, who dwells in Eden now?'
Collier's Lilith is best approached as a character study in exile and envy, not as a plot-driven narrative. The poem's strength lies in its atmospheric verse and psychological portraiture. Readers may find it useful to track recurring motifs—light and shadow, sound and silence, the contrast between Lilith's 'regal air' and Eve's softness—as they shape the poem's central tension. The preface's disclaimer about diverging from tradition invites a reading that treats Lilith's humanity as the poem's core experiment.
There is a particular ache in Collier’s Lilith—the way she watches Eve hold a child, and feels the world tip sideways. It reminded me, inexplicably, of leafing through A Little Book of Western Verse — Text and Context on a rainy afternoon, where the quiet verses seemed to hold the same shadow of unfulfilled longing, but softened somehow, as if heard through a closed door.
There are no reviews for this eBook.
Record your reading impressions
A brief reflection can help important ideas stay with you longer.